Course Info: HACU-0258
| Course | HACU-0258 Movement and Forms |
| Long Title | Movement and Forms |
| Term | 2024F |
| Note(s) |
Textbook information |
| Meeting Info | Arts Barn STUDIO 3 on M,W from 1:00-3:50 |
| Faculty | Vick Quezada |
| Capacity | 16 |
| Available | 1 |
| Waitlist | 0 |
| Distribution(s) |
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| Cumulative Skill(s) | |
| Additional Info | The content of this course deals with issues of race and power Lab/Materials fee:$120 Students should expect to spend 8 hours weekly on work and preparation outside of class time |
| Description | Through performance, sculpture, and theory, this course explores
queer subjectivity, colonialism and the constraining structures
that shape people's lives. In this course, students will work in
multimodal forms to create sculptural objects, or props crafted
out of wood, found objects, and assemblage art to incorporate
them into self-choreographed movement(s), performances,
happenings or political actions throughout the semester. As a
method of presentation, students may integrate components of
video, sound, site-specific work and installation. We will examine how contemporary artists and activists use their bodies/objects and performances as a tool of subversion, activism, and storytelling. We will look at the important work ranging from ADAPT and the "Capitol Crawl, NYC Ballroom Culture, Marisela Escobedo, ACT UP, Bread and Puppet Theater, artists such as Lorraine O'Grady to trans performance artist Keijaun Thomas. As Diana Taylor coined the term "Acts of Transfer," we can examine the ways in which these artists, groups and students can utilize their bodies to perform an action or series of actions in order to create urgency and attention while transmitting social knowledge, memory, and identity Keywords:queer performance sculpture activism |